Vol. 1 No. 1 (2016)

Published November 22, 2016

https://doi.org/10.33011/partake.v1i1

Pushing the Boundaries: Performing Research

Editorials

William W. Lewis, Niki Tulk

Editorial: Why Performance as Research?

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Articles

Alison M. Richards

Instability Strip: Writing, Flesh and Paradox in Research Performance

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Stephan Jürgens

Re-Constructing the Choreographic Studio of João Fiadeiro Through Animated Infographic Films

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Ann M. Shanahan, Prudence A. Moylan, Betsy Jones Hemenway, Bren Ortega Murphy, Jacqueline Long, Susan Grossman, Hector Garcia, Mary Dominiak

Performance: An Approach to Strengthening Interdisciplinarity in Women's Studies and Gender Studies

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Jeanmarie Higgins

Rehearsal Skirts: Undergraduate Research and 'Hamletmachine'’s Chorus of Dead Ophelias

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Connie Svabo

Performative Schizoid Method: Performance as Research

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Russell D. Fewster

'Nosferatu' Revisted

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Marco Catalão

Discreet Performances, Anonymous Performances, Virtual Performances

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Lynn Deboeck

Performative Reviews and Phantom Audiences

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Gina M. Braswell

Performance Review of 'Sweet and Lucky'

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William Boles

Performance Review of Jack Thorne's 'The Solid Life of Sugar Water'

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Erin R. Kaplan

Review of "Applied Theatre: International Case Studies and Challenges for Practice"

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Managing Editors

Notes on Contributors

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