Vol. 1 No. 2 (2017)

Published March 25, 2017

https://doi.org/10.33011/partake.v1i2

Participation in/and Research: Ethics, Methodologies, Expectations

Editorials

William M. Lewis, Niki Tulk

Editorial: Participation and PAR

https://doi.org/10.33011/partake.v1i2.361

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Articles

Astrid Breel, Hannah Newman, Robbie Wilson

Forum on the Art of Participation: A Curated Collection of Reflections, Explorations, and Instructions

https://doi.org/10.33011/partake.v1i2.363

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Michelle Young

Speak for Yourself: Considerations of Ethics and Aesthetics in the Performance of a Community Oral History Project

https://doi.org/10.33011/partake.v1i2.365

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James Layton

A Unity of Experience: The Shared Rhythms of Only Wolves and Lions

https://doi.org/10.33011/partake.v1i2.367

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Vahri G. Mckenzie

Only the Envelope: An Artistic Exercise in Data Retention

https://doi.org/10.33011/partake.v1i2.369

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Joanna J. Bucknall

The "Reflective Participant," "(Remember)ing" and "(Remember)ance": A (Syn)aesthetic Approach to the Documentation of Audience Experience

https://doi.org/10.33011/partake.v1i2.371

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Lee Campbell

Anticipation, Action and Analysis: A New Methodology for Practice as Research

https://doi.org/10.33011/partake.v1i2.373

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Zindaba Chisiza

Participatory Theatre as a Practice as Research Tool for Engaging with Young Men to Interrogate Masculinity and HIV in Malawi

https://doi.org/10.33011/partake.v1i2.377

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Paula Guzzanti

I-Reflexes: The Affective Implications of Bodies in Dance Improvisation Performance

https://doi.org/10.33011/partake.v1i2.379

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Sean F. Edgecomb

A Review of Taylor Mac's 24-Decade History of Popular Music Marathon

https://doi.org/10.33011/partake.v1i2.381

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Angela Sweigart-Gallagher

A Review of Roe by Arena Stage, a co-production with Oregon Shakespeare

https://doi.org/10.33011/partake.v1i2.383

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Sean Bartley

A Review of The Builders Association's Elements of Oz

https://doi.org/10.33011/partake.v1i2.385

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Managing Editors Taylor

Notes on Contributors: Vol 1, Iss 2

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